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Reviews

Two Cent Review: Neon White

When I first saw Neon White, I was almost in disbelief. Wedged in the middle of a Nintendo Direct back in February of 2021, Neon White’s reveal trailer showed off a stylistic version of heaven where sinners compete to win a spot in heaven. Featuring Machine Girl’s signature breakbeat music, flashy card-flippin, gun flingin’ gameplay, and a well-dressed main character voiced by Steve Blum, the game had my attention almost right away. 

Now that it’s out, Neon White may well become my game of the year. That is to say: Neon White is fucking amazing.

It’s almost unreal to think of how I felt about Neon White upon starting the game versus where I stand now. Because as excited as I was for Neon White initially, the game hardly received any sort of media coverage prior to its release. Generally when games get announced by big companies before subsequently being shoved out the door one day with no marketing behind it, I get worried. Worried that a game may not be as great as its announcement would have you believe. Or worse… completely devoid of promised features. 

Luckily that wasn’t the case here. Any anxieties I had about Neon White being yet another indie attempting to stand out faded once I saw that introductory cutscene. As a lifelong fan of anime, I can’t help but turn my attention to any well animated, tightly crafted intro sequence. Shortly afterward, I was plunged (quite literally I might add) into a story I was not at all prepared for. 

One full of colorful characters who are fantastically voiced and a complete joy to be around, save for some anime tropes I could do without. Each character in Neon White has their own unique quirks, speech patterns, motives, and more for you to become accustomed to. Whether that’s for better or for worse is entirely up to you. 

Whatever your opinion may be, know that Neon White has all sorts of fantastic twists and turns in store for you over the course of its roughly 10 hour run time. Well, roughly ten 10 hours if you just go for the end credits. Going for the game’s “true” ending could easily double your playtime. 

This would be an issue in most games, especially for people who have limited time to play games in the first place. Thankfully Neon White offers up some of the best gameplay I’ve experienced in a long time, and it does it while respecting your time. I’m certain anyone who gives it a chance will say the same. 

Neon White is a speedrunner’s next best friend and also their next short-term arch nemesis. It earns the best friend title thanks to this game’s obvious focus on speedrunning and pinpoint accuracy. It then proceeds to become an enemy after you realize that Neon White feels so good to play, you’re likely to eat the whole thing up in a week. 

What I think amazes me most about the entire thing is how these two aforementioned relationships come as a result of a gameplay loop that really shouldn’t work as well as it does. On paper, the idea of a graphic novel first person shooter with short levels that can be completed in a variety of ways using cards that are actually guns that can be discarded for increased mobility options seems like something that shouldn’t work. Upon execution however, it becomes apparent that these systems have been finely tuned to perfectly compliment and coexist with one another. 

Going into Neon White, my biggest worry was that the core gameplay would be too convoluted to keep my interest. Either that or it would be too complicated for many people to even bother with it. Thankfully the devs struck a great balance between card variety and limitation so as to not overwhelm the player. 

And if Neon White’s story and gameplay were the gifts under a hypothetical summertime Christmas tree, then Machine Girl’s fantastic score would be the paper used to wrap these goods. This soundtrack features two album’s worth of breakbeat after breakbeat, all of which feel right at home alongside everything else in Neon White. Since my time with Neon White, I’ve routinely found myself revisiting the soundtrack both while working at home and while driving around in my car. If nothing else has sold you on the game yet, I sincerely hope this single paragraph does. The music is THAT good.

All together, I think all of this makes for a truly memorable and one of a kind experience. It’s rare that such a near flawless gem plops on out of the mines that are the current gaming space, but Neon White is an exception. A finely crafted game with hardly anything worth complaining about is something that’s become much less frequent in gaming. Thankfully Neon White came along to rekindle my optimism for what sorts of new and exciting games we can expect from developers moving forward. 

If there’s one game you check out this year, make sure it’s Elden Ring. But after that, consider giving Neon White a go. If anything I’ve said in this review has even remotely spiked your interest in the game, then I have the utmost confidence that you’ll enjoy your time with it. Just… remember to take breaks if you decide to go for 100% completion. Your thumbs will thank you. 

Categories
Editorial

Best of Nextfest 2022 | Upcoming Games Worth Wishlisting

Steam’s Nextfest has become the go-to space for trying out the latest upcoming games. This year’s event had so many demos, it’d be near impossible to play them all. So I’ve come up with a list of seven games that had me hyped during this year’s event. Definitely consider wishlisting these ones, as there’s some fantastic titles here. 

Cult of the Lamb

Coming from kinda-indie publisher Devolver Digital, we have Cult of the Lamb. This management / dungeon crawling hybrid sees you running a cult in the name of a dark entity. Travel through the depths of various realms recruiting followers and gaining the strength needed to take on the gods of a rival cult. Sporting an adorable art style and distinct gameplay loop, Cult of the Lamb is sure to impress when it hits platforms on August 11th. 

Metal: Hellsinger

Metal Fans and Doom Dads, this one’s for you. Metal: Hellsinger is a fast -paced FPS all about shooting demons to the beat of metal music. I played this one during Nextfest this year and was blown away by how good this one felt to play. Hearing operatic metal tracks build up as your combo multiplayer increases while you slice and dice your way through hell is a past-time I didn’t know I needed. Metal: Hellsinger is available September 15th.

Trepang2

If you ever played FEAR and wanted more weird but also badass gunfights in destructible environments, consider wishlisting Trepang2. Or is it Trepang (squared)? This FPS is all about mowing down legions of enemies while looking and feeling totally badass in the process. Featuring a wide range of mobility options, weapon choices, and supernatural powers to use, Trepang is bound to be a hit with FPS fans so be sure to keep an eye out for its release some time in 2022. 

Anger Foot

Anger Foot takes the premise of Hotline Miami and flips it on its, uh, feet. Run from room to room in this stylistic FPS as you shoot and shove your way through doors and delinquents. Featuring a thumping soundtrack full of more bass than an 808 riddled rap song, and color palettes bound to make your retinas melt, Anger Foot is sure to get you feeling some type of way. Be sure to check it out when it releases in 2023. 

Selaco

Listen up DOOM fans, you’re gonna want to check this one out. Selaco is a frantic FPS built in GZDoom, and it’s absolutely mind-blowing in action. The sprite work had me losing it during our Nextfest livestreams over on Twitch, and the fantastic sound design took the game to the next level. It’s gritty, it’s gory, it’s everything your parents didn’t let you play growing up. Definitely looking forward to clawing my way through this one when it releases some time in 2255. 

Fashion Police Squad

Fashion Police Squad is the most flamboyant FPS I’ve played in years, and it is glorious! This game’s all about clearing levels full of fashion crime convicts trying to take you down. Whether it’s bringing color to the life of businessmen, or fining a dudebro for wearing too much neon, Fashion Police Squad has quite a creative roster of characters. To top things off, the game features some pretty humorous writing that’s sure to get a laugh or two out of you. Fashion Police Squad launches some time in 2022.

Slayers X: Terminal Aftermath: Vengeance of the Slayer

Slayers X: Terminal Aftermath: Vengeance of the Slayer (or Slayers X for short) is a passion project nearly 25 years in the making. This FPS was initially started way back in the medieval times of 1998 as a project between two friends. Now that they’re “37 and have life experience now”, they’re back to working on this love letter to all things that made the late 90’s and early 2000’s so “aesthetic”. Grab your Got2B and your wrap around sunglasses in preparation for the edgiest game of the last century. Slayers X releases soon. 

And there you have it! Those are the seven most exciting games I played during Nextfest 2022. It was definitely odd to me that most of these games were FPS, as it’s not a genre I normally play. But I’d argue each of these games differs enough from the other that I’d confidently stand by my choices all the same. It would have been nice to see some more attention grabbing platformers though… 

I’d love to hear your thoughts on this year’s event down in the comments below, or via social media at aarcadee. I’d love to get some more recommendations for games as well, so if there are any that I missed, feel free to let me know. 

Be sure to subscribe if you’re new around here and hit that bing bong ding dong so you don’t miss out on future videos. As always: thanks for watching, and I’ll see you in the next one.

Categories
Reviews

Two Cent Review: Sable

(Sable is available on Xbox One, Xbox Series X and Series S, and Microsoft Windows.)

Review copy provided by Indie Game Collective.

“Gaming as an artform has been a not-so-hotly-debated topic that’s existed since its inception in 1873. Over the decades, many scholars have spit-balled a variety of often controversial takes on the subject. Take Cher for example (who hasn’t aged a day, by the way). During the Great Gaming Prohibition of 1919, Cher advocated furiously for gaming to remain legal for all to enjoy.

She had argued that video games gave people an opportunity to interact with art in a way that wasn’t possible before. As a matter of fact, her argument as to why gaming shouldn’t be outlawed was so moving, the board of directors for INSERT COUNTRY NAME HERE ultimately decided to reverse the prohibition.

From there, the rest is history. Cher was able to use the media attention she received to her advantage, eventually becoming a world renowned singer. Gaming was given its own branch of government, and art was taken seriously once and for all. The world then knew peace, and a golden age of prosperity for humanity began.”  

-Kevin James, Gaming Historian (circa. 2009)

I want to tell you about a game I played recently called Sable. This was actually one I’d initially hoped to review when it launched in late 2021. Unfortunately at the time, the game was plagued by a few minor (yet somehow majorly annoying) bugs. Thankfully Sable was patched shortly after. Now the bugs I had previously encountered are nowhere to be seen. 

And now I can melt over this game properly.

Sable sets itself in an almost post-apocalyptic setting reminiscent of Mad Max meets Star Wars. Nomadic tribes live in isolation from one another, occasionally gathering in city hubs to barter with one another. The people of the land all wear masks as a representation of their purpose in life. Machinists, who build landspeeders called sand cutters, speak the ancient tongue of technology. Suffice it to say, Sable’s setting has a lot going for it. 

As a coming of age story, the game follows the adventures of a young Woman named Sable during a pilgrimage of self-discovery. Her quest will take her to a wide range of desert locales, where she’ll meet a wide range of interesting characters. Many of whom will provide opportunities for Sable to help them in one way or another. In return, many of these people will give you a talisman of sorts. 

Many of these relics are directly tied to whatever task Sable completes as well. So helping a cartographer rewards her with a cartographer’s talisman, helping a merchant rewards her with a merchant’s talisman, and so on. When three of a specific talisman have been acquired, Sable is able to craft a mask of her own (sort of), ultimately culminating in her rite of passage to adulthood. It’s a simple premise that does well to set the stage for the journey. 

Beyond the game’s opening and closing sections, Sable is fairly non-linear when it comes to progression. Its sizable open world allows for freedom of exploration that reminds me heavily of 2017’s Breath of the Wild. Sable may not compare in scope, but it’s still full of all the climbing, puzzle solving, and oddly comforting intrigue that made Breath of the Wild so fun. 

Sable’s game world is so full of different and exciting things that it excels in the craft of getting the player to stick around for “just five more minutes”. But I also think it draws the player in with its uncompromising commitment to creating and maintaining its unique atmosphere. If I had to give a comparison, I’d probably say Journey, which hits many of the same emotional beats. Making a game that’s equally as isolating as it is comforting is no easy balancing act, but it is one I think Sable’s developers aced. 

It’s also nice to see a game utilize a unique art style popularized by the late French artist, Jean Giraud. You may know him as Moebius. 

His signature style was prevalent throughout the 1970’s and beyond, both in sci-fi and in the general media. Almost dream-like in presentation, Moebius’ work was full of surreal, abstract imagery, which, when mixed with one of a kind color schemes, made for a hypnotizing series of works. His art was so iconic in fact, he’d even go on to contribute storyboard and design concepts to many well-known projects, such as Alien, and Tron.

And now I can officially scratch “give an art lesson in the middle of a review about a niche indie game” off of my bucket list. Thank you for coming to my TED Talk. 

So let’s talk about Sable’s gameplay now, because it’s something you’ll be doing from start to finish. That is the whole point of games after all. Though, I’m not sure there’s as much “playing” going on in Sable as there is “walking from place to place while being entranced by the aforementioned atmosphere”. 

There are larger quest chains for you to tackle, though these are few and far between. One of the highlights for me was a quest I picked up in the early hours of the game. There’s this town called Eccria, and it’s possibly one of the first places you’ll visit on your journey. I won’t go too into the specifics of what happens here, but just know that you’ll be expected to do some A Grade detective work in order to solve a classic case of who-dun-it. 

Outside of these major questlines, Sable’s gameplay loop remains the same throughout its 7 to 10 hour runtime. Most of your time will be spent going from one location to another, solving not-so-challenging puzzles or asking locals for ways to make money so you can buy parts for your sandcutter. 

There are a wide range of ways to whittle away the day in Sable, though I’d argue much of it boils down to the same rinse and repeat formula. And while it’s certainly something I have my gripes with, it’s such an inconsequential thing in the grand scheme of my experience with Sable that I can’t help but overlook it a bit. 

Because when I think back on my time with Sable, I’m not reflecting on the last puzzle I solved, or what the most recent audio log said. Instead I think about the moments in-between these moments, where I found myself staring off into the starry night sky. The moments where it was just me and my sandcutter in the isolation of the desert, with nothing but the sounds of Japanese Breakfast to kill the silence. 

These moments allowed me to reflect on my own life choices in life. It gave me a window to look back at my own history. To view the steps I had taken to claim a mask of my own. Which was made even more enlightening by the realization that I’ve yet to pick a mask. At this point, I’m not sure if I ever will either. Perhaps, not too unlike Sable’s journey, I’ll continue to wander until I’ve found a future worth wearing a mask for. Or, perhaps, the mask of the wanderer has inadvertently been chosen.

Because it’s about the journey, not the destination. 

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Videos

Michigan: Report From Hell | Aarcadee Cabinet

This is the best worst game of all time, and I only slightly regret spending time playing it. Thank you, Michigan: Report from Hell, for a trip to Chicago that I’ll never forget.

(Edit done by Lepre.)

Categories
Music

“Giddy with Despair” Out Now!

After two years of waiting, Sleepyyhead’s (re)debut album “Giddy with Despair” is finally here!

Here’s a quote from Sleepyyhead in regards to the album’s release:

I’ve worked tirelessly on this project for the better part of two years, and now it’s finally time to share it with the world.

I’ve written this album as a way to say goodbye to old ways of thinking, while accepting the need for change. In order to grow, we often have to reflect deep within, or make changes that don’t initially reflect a positive outcome.

I hope I’ve managed to compose songs that convey that process while not becoming too niche or without variety. And if you find yourself giving Giddy with Despair a listen, I hope you also find similar motivation for change.

-Sleepyyhead

“Giddy with Despair” is now available to stream via all major platforms (Spotify, Apple Music, SoundCloud, etc).

Digital copies can be purchased here.

Categories
Editorial

6 Indies Like Pokemon

Pokemon has always been one of those series I’ve given credit to for starting my love of video games. The idea of going your own way in a grand world, making friends with the creatures you meet along the way, has always been appealing to me. Beyond that, the completionist whom I share this fleshy prison with also happens to love Pokemon for its focus on “catching ‘em all”. Combine all of this together and it’s easy to see why millions of people around the world love this series.

So with Pokemon’s 9th generation on the way, I thought I’d take a moment to highlight six indie games with creature collecting mechanics. There’s a range of goods here, and I’m all but certain they’ll keep you busy until Pokemon Scarlet and Pokemon Violet arrive (hopefully) in late 2022. 

  1. Temtem

Temtem is an MMO that melds the social features of online games with the addictive nature of creature collecting. Sporting a distinct art direction and creature designs that hit a wide range of archetypes, Temtem excels at visual distinction. Beyond its replication of the tried and true creature collection formula, Temtem also stands on its own as an enjoyable social experience. Staples of the MMO genre can also be found in troves, such as player housing, guilds, co-op, and competitive play. Temtem is definitely a one of a kind take on the creature collecting formula, and one to consider if you’re a Pokemon fan.

  1. Monster Crown

Monster Crown is a creature collecting adventure that pays homage to the GameBoy era of Pokemon games. I admittedly haven’t spent as much time as I would have liked to with Monster Crown, but from what I’ve played, the game feels like a more mature Pokemon. Specifically when it comes to the dialogue in Monster Crown, which is much more grim in its subject matter (people even say bad words). It also has a free-for-all breeding mechanic, meaning you can slap any pixel thing you’d like with another pixel thing and end up with a wide range of hybrid-pixel-things. 

Just don’t go pointing the blame at me when PETA comes knocking at your door. 

  1. Nexomon: Extinction

Nexomon: Extinction is the follow up to a mobile take on the Pokemon formula. Now before you go booing this one, just know it doesn’t commit the same sins as its father. Instead, this sequel to 2017’s Nexomon released as a full-fledged console drop. With a distinct chibi style, and over 300 Nexomon for you to collect, there’s plenty on offer here for you to sink your gamer-teeth into. What really helps Nexomon: Extinction stand out from its contemporaries though is its focus on difficulty and player choice. The game scales with you, meaning you’ll never outlevel or easily outpace wild creatures levels. In addition, you aren’t necessarily gated into one path of progression, meaning you are more than welcome in whichever direction you’d like. Nexomon: Extinction is one of the lesser known creature collection indies, but it’s also one I’d recommend any Pokemon fan check out.

  1. Monster Sanctuary

Monster Sanctuary answers the age-old “what if” of what it’d be like to have a Pokemon game with only 3v3 battles. Featuring a steady difficulty curve and a heavy focus on story, Monster Sanctuary does a lot to stand out from the competition. One particular favorite distinction of mine is the amount of customization you have over your monster’s potential as a fighter. Stat point allocation is a welcome addition to the genre that isn’t seen too often. Add to that Monster Sanctuary’s metroidvania-style gameplay progression (which relies on using specific monsters to reach certain areas) and the uniqueness becomes even more apparent. Trust me when I say that Monster Sanctuary is an indie any fan of Pokemon should consider.

  1. Coromon

If you were to ask me which generations of Pokemon resonated with me the most, I’d probably tell you generations two and three. Even though I began with gen one, something about the series’ transition into more color and more detailed sprites solidified my love for it. If that opinion sounds relatable in any way, I strongly suggest you give Coromon a try. This game is easily one of the closest emulations of the Pokemon series I’ve seen, all while managing to stand out in its own way. From customizable avatars to varying difficulty levels, creative creature designs, online battles and more, Coromon has a lot to offer.

  1. Slime Rancher

Slime Rancher may not be the first thing to come to mind for many when talking about indie games inspired by Pokemon, but it’s one of the best indie games ever made. Which means I will talk about Slime Rancher any chance I get.

I mean, why shouldn’t I? Few games have managed to mix the creature collecting of Pokemon games with the farm management of Harvest Moon as well as Slime Rancher has. It’s truly a one of a kind experience, where you take on the role of a young rancher in her home away from home. Here you’ll care for a wide range of adorable slimes, all for the sake of profiting off of their poop!

Slime Rancher is a cozy game bursting with charm that any Pokemon fan should consider (and then subsequently buy multiple times because it’s amazing and oh my god, I cannot wait for the sequel to come!).

And there you have it! My list of six indie games worth exploring if you’re a fan of the Pokemon series. Or creature collecting/battling games in general. Pokemon may have started a trend in the 90s and remained a household name even in this day and age, but the genre it cultivated has come a long way. It’s refreshing to see such a wide range of different takes on the formula, as well as all of the tweaks and changes that have been suggested in the process. 

It’ll be exciting to see where the niche (yet astounding successful) creature collecting indie game space goes next!

Categories
Reviews

Two Cent Review: Quantum Conundrum DLC

I’m not surprised by this in the slightest, but the gameplay in Quantum Conundrum’s DLC is somehow significantly worse than the base game… And that’s saying something.

Here’s my two cents on both of Quantum Conundrum’s DLC.

Desmond Debacle
The first stop on our double DLC date (aww, look at us. How cute.) is at The “Desmond Debacle”, a series of six levels. If you don’t know who Desmond is, he’s a drinking bird that you come across numerous times during the course of the base game. He’s often used to solve timing centric puzzles, all while looking adorable in a tophat in the process.

Based upon this description then, it’d be natural to assume that a DLC named after Desmond would, you know, feature the titular bird.

He appears in two out of the six levels.

That’s a third of the entire DLC.

I don’t know about you, but if I was Desmond, I’d be pretty pissed right about now. Not only is my name and likeness being used to entice sorry suckers to shell out mere pennies on a Steam sale for this nonsense, but I’m actively watching my reputation go down the drain as a result!

Seriously though, this roughly hour long level pack is rough. This was initially indicated by the actions you take in order to access the DLC. It involves the immersive and revolutionary act of selecting the first level from a menu, a timeless tactic.

After a short loading screen, you’re sort of just…dropped into the first level, with the game expecting you to figure the rest out on your own. There’s no narrative set-up, no banter from your insufferable uncle, nothing.

The first few levels in particular felt as if they had zero room for experimentation. I actually had no clue what to do for a solid 10-15 minutes as I stumbled about, riding one floating box to another, in an attempt to find a single clue that could point me in the right direction.

Alas, I inevitably gave up and resorted to an online guide in order to get past it. Suffice it to say, I would have never found the solution on my own. It felt way too specific for my little pea brain to ever figure out on my own. So shout out to you, internet person who I can’t remember the name of. You single handedly saved my sanity on this one.

The Desmond Debacle feels devoid of character. There is next to no personality within these few levels, save for a few appearances by the bird in the big black hat. Add to that the narrow-minded level design and environments that make the base game’s burst with personality in comparison, and you’ve got yourself a recipe for one rough DLC. 

Ike-Aramba!
Quantum Conundrum’s second DLC also happens to feature a recurring side character from the base game as well. Sporting a name that would make anyone over the age of existing cringe, IKE-aramba sees you solving another set of six puzzles. This time, it’s with the goal of saving a helpless IKE, who’s found himself frozen in a block of ice and kidnapped by robots. 

IKE-aramba is the better of the two DLC on offer here. Not only does it set itself up with an admittedly loose premise (which Desmond Debacle lacked), but it also features much more variety when it comes to its level selection.

The levels are extremely hit or miss, featuring both some of the best and worst levels in all of Quantum Conundrum. This is easily the biggest issue I had with the DLC, and with the level list being as short as it is, the chaotic difficulty curve becomes that much more noticeable.

Thankfully, the majority of IKE-aramba’s levels allow for significantly more experimentation than what the previous DLC did. Sadly it never quite reaches the levels of its inspiration (there’s that Portal 2 mentioned again…), but it does its darndest to shoot for that goal anyhow. 

IKE-aramba may have left me cursing at my monitor on more than one occasion, but I actually enjoyed the majority of my time with this DLC. Aside from one or two levels, I think IKE-aramba features some of Quantum Conundrum’s best level and puzzle design, making it the better of these two bits of downloadable content.

Verdict
At the end of the day, Quantum Conundrum’s DLC offerings are nothing more than additional levels for fans of the base game to sink their brain-teeth into. Unfortunately this means that if the base game didn’t do much in the way of satisfying your elite gamer needs, the DLC won’t do much to change your mind. There are some moments of genuine enjoyment here or there, but you’ve gotta be ready to trudge through some stinky bog juice to get to those points. 

That’s a venture I do not recommend. 

Categories
Editorial

6 Indies Like Elden Ring

There’s this new game you may have heard of called Elden Ring. It’s basically a linear experience made by a little indie developer…

All joking aside, here are six indies you should play if you like Elden Ring:

  1. Outward

Outward is a fantasy action adventure game made by a team of ten people over five years. In Outward, you take on the role of an average person trying to make their way in life. It deviates from the generic “chosen one” role we see used often in games, and does it’s best to make you feel as little as possible in this dangerous world. Your actions often have unforeseen consequences as well, such as when you die. You may awaken some hours later, and notice you’ve been robbed. Weather and basic survival needs are things to contend with as well, in addition to a wide range of difficult enemies. Did I also mention the game has co-op? 

  1. Titan Souls

Titan Souls is an action adventure game influenced by titles such as Dark Souls and Shadow of the Colossus. The premise in Titan Souls is about as simple as it gets: collect the shards and recreate the titular Titan Soul. In order to do this, you’ll set out on a quest to defeat a total 19 unique bosses, each with their own range of challenges to contend with. What helps Titan Souls really stand out from the crowd though is its focus on one hit K.O. combat. For your character, game over is always one hit away. The same goes for the bosses as well. The only difference is they’ve got one specific weak spot, which is generally in a fairly tough to reach area. Better get ready to dodge and draw your arrow back time and time again, as Titan Souls demands you do both excessively..

  1. Valheim

Valheim may differ from Elden Ring in many ways, but that doesn’t mean there aren’t parallels between the two. Both sport fantastic, sprawling worlds full of danger and mystery. They both also happen to have great enemy design and intense boss encounters, which helps highlight Valheim’s combat system. Beyond those similarities however, the two games begin to really show their distinguishing traits. Elden Ring may be a game centered around tough as nails gameplay, but Valheim is a game centered around survival. If you enjoy crafting, cooking and cave diving, consider checking it out. Maybe bring with a friend or two along for the ride while you’re at it!

  1. Mortal Shell

Mortal Shell is an action adventure game that could easily be mistaken for a distant cousin in the souls-like family. Featuring many tried and true staples of the genre, such as tricky enemy placement, and dropping experience when you die, Mortal Shell may appeal to the majority of souls players. To help distinguish itself from the herd, the game gives you access to a variety of “shells” which you can unlock and grow the power of. These shells give your otherwise weak and frail character unique traits, each differ dramatically from one shell to the next. Fight carefully however, as one wrong move could send you flying out of your shell and into the sweet embrace of death. 

  1. Ashen

Ashen is an open world action adventure game, sporting in-depth combat, sprawling level design, cooperative gameplay, somber visuals, and a magical soundtrack. Kinda sounds a bit like a souls game or two you may have heard of in the past. But fret not, as Ashen does just enough to differ itself from the formula. A major aspect here is the Ashen’s focus on community. For example, you’re actively able to see your small community that’s founded in the game grow and evolve over time. In addition, cooperative gameplay is much more accessible in Ashen. So grab a friend, and get to hunting!

  1. Blasphemous

This gothic side scrolling hack n slash hits hard with its tough gameplay and killer art direction. Sporting a sprawling world for you to explore, revolting bosses to contend with, and more savage execution animations than you can count, the game is more than well worth your time. Just be aware that no amount of upgrading or preparing will save you from the horrors Blasphemous has in store.

There are, of course, plenty more indie games out there that are worth mentioning in this list. Unfortunately, I can only spend so much time away from Elden Ring before the withdrawals set in. With that being said, I thank you for reading my list of indies you should play if you like Elden Ring.

I’m off to go die more times than I can count.

Categories
Reviews

Two Cent Review: Quantum Conundrum

Valve’s “Portal” series has always been near and dear to my heart. From the first foray into the physics based puzzling formula, to the generational classic that was its successor, this one of a kind series has supplied me with memorable experiences more times than I can count.

Imagine my surprise then when I learned about yet another reality-bending puzzle game made in the same vein as “Portal”. Here’s my two cents on Quantum Conundrum.

Released way back in good ol’ 2012, long before remakes and loot boxes seemingly dominated the video game space, Quantum Conundrum was released as a familiar but unique take on the Portal formula from industry vet Kim Swift. Developed by Airtight Games and published by Square Enix, this brain buzzing platformer saw the player utilizing dimensional shifts in order to solve puzzles.

These dimensions are essentially four unique states of reality, all of which carried a unique gimmick with them. From the Fluffy dimension, which makes even the heaviest objects light as a feather, to the Slo-mo dimension, which does exactly what you’d think it does. 


Unfortunately, these different dimensions only go so far in helping the game feel unique. I can’t quite pinpoint the reason as to why, but Quantum Conundrum consistently felt inferior to it’s spiritual predecessor when it came to gameplay. If I had to wager, I’d bet that the game feels more dull due to its focus on platforming to solve problems vs using physics to do so.

It’s a subtle difference, but a tremendous one when distinguishing these two games. Portal games always felt like they were multi-faceted, or that you could solve them in a variety of ways so long as you thought outside of the box enough. The variety in both problems and solutions were astounding. They didn’t focus entirely upon the simple aspect of platforming or navigating difficult spaces. That’s where I think Quantum Conundrum falls flat.

It feels a bit odd to compare these two obviously differing series, but I feel as though so much influence from Portal is on display in Quantum Conundrum. So to compare the two only feels natural, much in the same way that this game felt like it wanted to be a natural progression of the Portal formula. Sadly, I have to admit that this game is a severely inferior experience. 

Gotta be honest here, none of it feels like it was made with much love or care. The writing is consistently not funny, try as it might to convince you otherwise. The music, while whimsical, mysterious and upbeat, never does much in regards to wriggling into your ear spaces. As a matter of fact, the music teetered on annoying territory from time to time with how repetitive it could be. 

The environments consistently felt dull as well, with little to no visual story-telling going on during the game’s roughly 8 hour runtime. This issue was one that was especially prevalent within the latter half of the game, as the poor attempts at visual story-telling that were at least attempted in the beginning seemed to vanish completely. 

But none of that compares to the writing in this game, which was easily the weakest aspect of Quantum Conundrum. The majority of this game tries to be funny, but fails miserably at doing so. You know, it’s completely possible that 2012 me would have liked this game’s writing and found it’s dialogue to be humorous, but 2012 me is dead, so it doesn’t matter. 

2022 me is here and he dislikes everything… especially poor writing. 

This issue is further exacerbated by the performance given by your uncle’s voice actor. No, I don’t mean your uncle you just saw for a heated political discussion on Christmas. I mean, your mad scientist uncle that acts as this game’s narrator and also serves as a consistent source of pessimism throughout.

Seriously, this dude spends the whole game trapped in another dimension walking you through how to navigate his death palace mansion in order to save him, and all he ever throws your way are half-assed remarks. That’s the whole plot of the game by the way. Uncle trapped in dimension, now you go save uncle trapped in dimension. 

Spoiler alert for the end here by the way, but uh, even in the final moments of the game, you’re never thanked for saving your uncle’s life. Instead, you’re shown a short “cutscene” in which your uncle admits to being freed but now has to work on getting you out of the dimensional trap instead. No “thank you”, no sense of urgency, no nothing. 

Just a shitty feeling in the pit of your stomach for being a good person and saving someone’s life. 

Quantum Conundrum just sort of…ends after that interaction, seemingly leaving the game open to a sequel. Not too sure that we’ll ever get a follow up in regards to what happened to our main character, but maybe that’s for the best. I’m sure any dimension where the worst uncle to ever grace gaming doesn’t exist is one worth staying in. 

I wanted to like Quantum Conundrum, but I honestly struggled to get through this one. It’s definitely not one that I could easily recommend, unless you’ve already played Valve’s genre defining series, and are willing to overlook some serious shortcomings. I reviewed this game because I picked it up for $1 on a Steam sale and I still feel like my time was wasted.

Which is why I can’t wait to check out the DLC…

TO BE CONTINUED.

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Reviews

Two Cent Review: Infernax

Infernax is a game eleven years in the making that sports a gritty, retro feel and a metal chiptune soundtrack. If those words I just said ignited the happy sensors in your brain, then I strongly consider seeing if Infernax is worth your time. 

Here’s my two cents. 

Infernax opens with a brilliantly designed tutorial, introducing you to things like its setting and the basics of combat. Beyond that, this opening section introduces what was easily my favorite aspect of Infernax: choice and consequence. 

Infernax is consistently asking you to make difficult decisions that alter the outcome of events. This extends into the game’s multiple endings as well, which helps encourage repeat playthroughs. I personally felt the endings lacked enough variety to incentivize going for them, which left me feeling undersatified. Repeat playthroughs are mostly here for those who want to one-hundred percent the game.

Or for those invested in Infernax’s world, which is put together with fairly noticeable attention to detail. This may be a love letter to retro classics of yesteryear such as Castlevania II, but its world still feels alive and lived in. Most of this is admittedly due to the choice and consequence nature of Infernax, but the game’s side quests help carry the experience as well.

While certainly nothing groundbreaking, the sheer volume of side questing available in Infernax genuinely surprised me. Now we’re not talking Skyrim levels of questing here, but we are talking about something that could easily increase your playtime by a decent margin. 

These quests are usually worth your time due to the variety and value of their rewards as well. Some may reward you with simple things like gold or XP, but others open up things like new quests or storefronts to purchase gear from. I consistently found myself stopping in each village to talk with everyone during my playthrough, as I was always curious what reward I’d receive next. Be careful doing this though, as some of these actions will lead to unforeseen consequences. 

Now as much as it pains me to admit, this is about all of the good I have to say on my experience with Infernax. But that doesn’t mean it may not appeal to you, so I’d strongly consider hearing me out before making your own call on the game. 

For starters, I want to talk about the topic of trolling the player vs wasting the players time. On the surface, these two things sound like they’re the same, and in many ways they do share overlap. In order to distinguish the two, and to help make my point easier to explain, I’ll bring up this little game that was just released called Elden Ring. 

You may have heard of it.

In Elden Ring, the game consistently, from the opening moments, does all it can to mess with the player’s expectations. Elden Ring then proceeds to maintain this theme throughout its runtime, building upon this philosophy again and again until the credits roll. In this scenario, “trolling the player” works because you, the player, know to expect it and to be ready to combat whatever’s around the corner. 

When looking at Infernax, a game I played immediately after my time with Elden Ring, I couldn’t help but feel slight bitterness. Bitterness at the way my time as a player was disrespected (God that sounds pretentious). 

This became apparent to me upon reaching a specific point in my Infernax quest where I had to do some guesswork in order to proceed. Only the issue here is failure to guess correctly leads to death and a reload at the nearest save point, sometimes resetting ten-plus minutes of progress. 

This wouldn’t be such an issue if I didn’t have to repeat this process numerous times throughout the game. Sadly that wasn’t the case in my experience, as this problem persisted until the credits rolled some six hours later.

There’s no issue with making a challenging game, or even a love letter to a classic title from yesteryear. The issue arises once you get to a point of wasting the players time for no other reason than to waste time or inflate your game’s playtime. 

It does make me wonder if the devs decided on this intentionally. It’s possible they made Infernax this way intentionally for the sake of preserving that “retro feel”. Unfortunately it was a major detractor when it came to enjoying my time with this one, so I felt it was worth mentioning. 

Beyond that, I think I could best describe the rest of Infernax as being inconsistent. The melee combat in this game leaves something to be desired, but the magic is fun as hell to use. The bosses, while unique and fun to look at, are boring to fight and offer little challenge. The world, while sprawling and diverse, rarely gives you any fun or unique platforming sections or enemies to contend with. 

It all ultimately left me feeling unfulfilled in my journey to rid the land of evil. 

While I wish there was more positive praise I could give to Infernax, this one really didn’t do it for me. There are multiple aspects that are appealing, such as it’s art direction, sound design, and focus on choice and consequence. Unfortunately these things don’t deal with much in the realm of core gameplay, which means I was left feeling bummed out during the majority of Infernax. 

If you’re a fan of true to inspiration retro throwbacks and hypotheticals where Undertale meets Castevania, Infernax may be worth your time. However, if you’re more like me and don’t necessarily care to play something that frustrates more than fulfills, maybe consider skipping this one.